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Soundwalks

"A form of active participation in the SOUNDSCAPE. Though the variations are many, the essential purpose of the soundwalk is to encourage the participant to listen discriminatively, and moreover, to make critical judgments about the sounds heard and their contribution to the balance or imbalance of the sonic environment.

In order to expand the listening experience, soundmaking may also become an important part of a soundwalk. Its purpose is to explore sounds that are related to the environment, and, on the other hand, to become aware of one's own sounds (voice, footsteps, etc.) in the environmental context. A soundwalk may be scored in the form of a map which the participant uses both to guide the route and draw attention to features of acoustic interest. The map may also act as a score, directing the performer's listening and soundmaking activities in a way that is not limited to a specific locale".

A-SHERA - Venice sound walk

A Serah – A tribute to Sara Copio Sullam (Venice 1592–1641)

Soundwalk 9:18 min

A voyage at the Jewish Ghetto of Venice, following Sara Copio Sullam – A jewish poat and writer,a childless mother.  The main Piazza like her empty womb, filling and becoming empty again, in Circular motion.

The high Octave of Sara Copio is A Serah, the biblical first mother Sara and a Hebrew godess, she is represented in the scriptures by the Shofar ( ram's horn). her name means – the graet womb

Special thanks to Musrara school of Arts Jerusalem, Ikona Gallery Venice and The Ebraico museum Venice.

Musrara Soundwalk My steps over gravel paths
 

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